Play Along Piano

Uploaders

Bartók forever

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

Warum betrübst du dich (Aria) BWV 516

Bartók forever

1:16	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	20	16	5	6	100%
	14	0	2	5	100%
Stimme	13	0	4	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	20	16	5	6	100%
	14	0	2	5	100%
Stimme	13	0	4	6	100%

Three Renaissance Versi

Bartók forever

1:37	Est. Play Time
29	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	22	9	7	87%
	3	1	2	4%
	22	7	5	76%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	22	9	7	87%
	3	1	2	4%
	22	7	5	76%

O ewger Gott wir bitten dich

Bartók forever

0:50	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	11	0	1	3	100%
	18	0	5	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	11	1	3	100%
	18	5	2	100%
S A	11	1	3	100%
T B	18	5	2	100%

O ewger Gott wir bitten dich (2)

Bartók forever

0:50	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	12	0	1	5	100%
	22	0	7	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	12	1	5	100%
	22	7	4	100%
S A	12	1	5	100%
T B	22	7	4	100%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	5	0	5	63%
	20	18	5	5	100%
Voice	9	0	1	6	79%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	5	0	5	63%
	20	18	5	5	100%
Voice	9	0	1	6	79%

Mir nach spricht Christus unser Heldt

Bartók forever

2:06	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	19	0	3	6	97%
	15	0	1	7	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	19	3	6	97%
	15	1	7	90%
	18	5	6	97%
Stimme	8	0	6	66%

Choral hypocrite

Bartók forever

0:53	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	12	13	0	4	100%
Klavier	23	25	5	4	94%
	10	9	1	3	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	12	13	0	4	100%
Klavier	23	25	5	4	94%
	10	9	1	3	71%

Schäfers Klagelied D 121 (1814)

Bartók forever

2:48	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	21	9	7	97%
	22	13	7	4	91%
Voice	15	0	5	5	95%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	21	9	7	97%
	22	13	7	4	91%
Voice	15	0	5	5	95%

"Im Walde" from "Liederkreis", op. 39, 1840

Bartók forever

1:28	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

Verso de Magnificat del septimo tono

Bartók forever

2:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	18	0	5	5	67%
	15	1	2	5	78%
Stimme	6	0	0	1	34%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	18	0	5	5	67%
	15	1	2	5	78%
Stimme	6	0	0	1	34%

Singe-, Spiel- und Generalbassübung TWV 25:39-85 No 1 - 24 (TIP)

Bartók forever

8:11	Est. Play Time
198	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%